For the moment and in the battle of the most expensive comic book. The first appearance of Batman in Detective Comics no 27 sold for $1.075m more than the record set a few days ago by Superman.
Share on FacebookIt’s a Bird…It’s a Plane…It’s the First Million Dollar Comic Book!
The 1938 edition of Action Comics No 1 – which originally sold for 10c – was sold by a private seller to a private buyer, neither of whom was named.
I have mixed feelings about this sale. Especially because I don`t like Superman as a comic book character. Each comic book is worth the amount somebody is going to pay for it, no doubt. But I don`t understand why an almost 100 years old comic book is a good investment. There is no way to preserve it. Sooner or later it is going to fall in pieces due to the acid in the paper. And the comic book is also closed in a plastic box, how is he going to run though the pages and enjoy the true value of a vintage comic book?
Share on FacebookI grew up as a fan of Spider Man and X-man comics, which were hard to get in my small province town. At an older age time spent reading and collecting comics faded in favor of other activities. . Not so long ago, as a twist of fate, I re-discovered the comic books. Bought a few on some local auction sites, a few on e-bay. I rediscovered the fun of reading my favorite comics and as a collector the fun of grading and archiving my comics.
With the help of the internet I discovered some new habits and terms which back in my childhood did not exist and/or I did not care about it. Before I carry on I wish to explain a few of them.
Grading – determining the condition of the comic book
Mylar – Kind of acid free PVC, the term also stands for the bag made out of Mylar , cut in the size of a comic
Overstreet Comic Book Grading Guide – is an approach to have a Standardized Grading system – So there is a way to have an objective grading without the need to pay.
Overstreet Comic Book Price Guide – the bible when it comes to find out the value of a comic.
MicroChamber and Artcare papers – boards to slow the acid destruction of the paper.
The grading companies
Along with these terms and habits I also discovered something that really bothers me.
The Grading companies – like CGC (Certified Grading Company – established in 1999,) ant the later PGX (Professional Grading Experts) – who are self proclaimed industry leaders for grading comics, make a lot of money on the back of collectors offering questionable services. My personal questions are as follows:
Who “certified” them? – Is there a higher board, a governmental agency offering these certifications? Not as far as I know. The second company calls itself Professional Grading Experts. To become an “expert” in legal terms somebody has to earn the title at least after the certification of a board, so we are back to my first question. Self proclaimed “expert” can be anybody.
Why let them grade for you? – If somebody is a collector he has a background about his hobby. He knows about what he collects and who to grade it. Thankfully there is a perfect guide – Overstreet Comic Book Grading Guide – which offers a standard for grading comics which by the way is used also by CGC, so they have no secret knowledge. If a beginner comic collector is not sure about his grading he can go to a comic book convention where he can find help from somebody who is in this “business” for more then eleven years, he can go to his local comic store or use one of many comic book collector forums. And if with all this help somebody still needs a third party help – well – then he is an idiot.
Why slab my comic book? –Some argue that comic book`s quality can’t deteriorate once in the case. Well – just leave it in the sun for a few days. In ten years even a slabbed comic is going to turn yellow. A collector can slow down the acid destruction with the same method as CGC does. Use MicroChamber paper and Mylar bags – it cost just 1$ per comic book and it does a better job. Secondly – who can you check the condition of a comic in time if it is slabbed? You have to open it thus rendering worthless the whole grading process. And there is one more reason not to slab a comic, it is sad not to be able to read it or at least to run through its pages once in a while. Why own it then? I saw a new trend – Acid free bags for the CGC slabs. Great. How far can somebody go in stupidity? What next? A second grading company proofing the integrity of the slab?
Did you buy a CGC slabbed comic book? Are you sure that CGC did a good job grading the inside of the comic book? Are there any missing posters or cupons or even pages? You don`t know until the slab is opened. It is a small torturing thought – like : Don`t think of the pink elephant.
This brings to my next question – Why own a CGC slabbed comic book? – Investment stand point. In a new inflated market created by a bunch of guys who state that this process makes the books more valuable. Watching the first transactions on e-bay of CGC graded comics, which suddenly sold for 3 to 5 times its value (calculated using – Overstreet Comic Book Price Guide) a strange pattern appeared. It was like the people from CGC were acting as sellers and buyers just rise the price of the slabbed comics , creating the myth that a slabbed comic is more valuable. These actions turned the attention of those who wanted to make an “investment”. The result was that slabbed comic book prices sky rocketed. Slabbing turned into a speculation.
The end effect? – Following the natural curve of any economical boom, this investment in slabbed comics is going to fall. If you are looking for an investment buy gold, petrol or company shares, leave the comics to the geeks to collect them. Just imagine what happens to the market if comic books are slabbed directly after print. All of them! Comic books are not about making money – unless you are the producer or the distributor of comics.
Afraid of buying restored comics? – An amateur as well as many professional comic book collector and dealer would not be able to recognize a comic book that had been restored by a professional, so CGC gives a heads up there. Nothing more wrong than this – I have read and also seen comics which were low grade, restored by a museum employee, sent to CGC and returned with a high grade and no remark about restoration. Maybe CGC did not notice or just wanted to earn more on that comic. Don’t forget that CGC receives % out of the higher comic books for grading it.
CGC and PGX is a scam, they created an inflated market for “investors” to buy un-restored, high graded comics.
Are you sure that a e-bay seller is not producing fake CGC and PGX slabs right this moment? – It only takes some empty slabs which can be bought from online comic suppliers, a printed CGC or PGX header, some holographic stickers which can be ordered online and an old comic book that was heavily restored. Grade it 9.0, slab it and put on sale for half of the normal price. I bait waiting for an “investor”.
As a collector – Why buy a slabbed comic? When for a fraction of the money you can hunt down private collections, comics sold in bulk, where a Gold age comic is hidden. In December I bought a few Golden age Flesh comics for a few bucks, it was a risk regarding the grade of them, but for that price, even if it would have turned out to be in poor condition it was a great buy because I got to enjoy some Golden Age comics. I have read them all.
Afraid of buying poor quality comics on e-bay? You don’t need a slabed comic, just ask for more pictures from the seller or just stay away from e-bay. There are great ways to buy old comics like Comic book conventions. The greatest place to buy a comic book – Why? It is a hand on buying, you see what you get, and as a geek it is an opportunity to make at least a few friends. With the Overstreet Comic Book Grading Guide in the hand, you can grade the comic right before you buy it. No Comic Con near you. Drop in the local comic shop, maybe they have what you wish if not ask them to find it for you. So there is no need to buy a slabed graded comic book to be sure that it is in mint condition.
Comics are ephemera and are meant to be enjoyed. I will end with this short description of a collector opening his newest comic book acquisition:
“The first thing I did when I slid it out of its Mylar sleeve was too carefully
open the comic and smell it. The smell of vintage comics is something else. A
little musty and dry, but a wonderful smell none the less. Then after putting
my son to bed, I turned the lights down, put some appropriate music on and read
that comic! And for the time it took me to read it (I don't know how long, I wasn't
really looking at the clock) I was in heaven. I read every word, every advertisement,
everything that was in that comic, I read. After I'd finished, I slid it back into
it's sleeve and put it back into the protective case I have reserved for all my more
valuable comics. And that's why I buy comics; to enjoy them, to relish every page,
to appreciate them as the story telling medium they were always intended to be.”Share on Facebook
In August of 1982, Spider Man fan Randy Schueller received a letter from then editor in chief of Marvel Comics: James Shooter. The letter simply begins with – I want to buy it! and it was the response to an idea sent by Randy.
The idea was simple – turn Spider Man’s costume black with a red on the chest change which also upgrades the super hero’s powers. Great idea! As we can read in the letter he also received a hell of a deal, not the 220 dollars. The chance to write the script for an issue of Spider Man where he tells the story how the super hero gets the new costume.
Marvel editor – James Shooter and Tom DeFalco – writer did not dig Randy’s script and to be honest he was right not to make an issue of Spider Man based on it. As DeFalco said in an interview: “To write a story, you need hundreds of ideas, and if you don’t realize that, you shouldn’t be writing.”
The editor and writer were right but at least they could have given Randy the credit especially that over years the black Spider Man costume has evolved into Venom, the symbiote star of the movie Spider Man 3 from 2007.
I have to admit that back in my childhood when I saw the first issue of the black costumed Spider Man I was thrilled and now that Randy’s letter has surfaced the world wide web I want to thank him for the idea and Shooter for sticking to the black costume concept .
And I want to buy it! – the original letter.

Randy’s and Shooter’s recollection of the affair can be read at Comic Book Resources.
Even readers not familiar with manga or anime will immediately notice the retro artwork in Mikiya Mochizuki’s Wild 7—and for good reason. This multi-volume series of collected reprints has material dating back to 1969 (although there’s no word of it on the front or back covers). Instead, it is presented as a modern graphic novel; only a peek at the copyright date reveals its origins, at least in the first book. Released during the biker craze of the late 60s—most likely after the chopper classic “Easy Rider” had hit theaters—Wild 7 is a fast-paced adventure which has the Japanese government hiring a gang of hoodlums, led by Hiba, to defend themselves from any threats to their power. The dated storytelling will remind many anime fans of Speed Racer and other vintage Japanese cartoons
The theme of “Wild 7″ is one that never gets old in manga and anime. A team of skilled outlaws striking out against criminals when the government is powerless to stop rampant crime has been done many times. However, a team of motorcyclists with sidecar missiles, bikes that can go in reverse, teamed up with a director working secretly from inside the bureaucracy, now that is Manga! The “Wild 7″ team is a diverse collection of ruffians, including a hip young delinquent leader (guaranteed to pull in the older teen guy crowd of the era), a hippy anti-occupation militant, a baseball player who was nabbed for breach of contract (?), a former yakuza boss, a knife throwing ex-circus performer, a former chef and drug manufacturer, and rounding out the team is an explosives expert charged with weapons manufacturing. Their boss, Kusanami, is a maverick, fed up with a system that allows criminals to go free too easily, and so he enlists the team to do whatever it takes to take down mobsters and other criminals who blatantly flaunt the fact they are above the law. Whether they are taking out bank robbers, mob bosses with skyscraper fortresses or biker gangs dressed s knights (complete with jousting lance sidecars!) the Wild 7 team does so with more than enough explosions and bloodshed. It makes me wonder what teens who grew up on Wild 7 must have thought if they say the antithesis to this violent drama, the similar, but squeaky clean “A-Team.”
The series was unique (besides for the violence) in which each of the 7 members had a different motorcycle, each specially fitted. Team leader Hiba rides a Honda CB 750, “Hippy” Tom rides a multi-wheeled Harley FL, Oyabun rides a Suzuki Hustler 250, Chasu rides a Suzuki GT 380, Sekai Rides a Harley, Otto rides a Norton Cafe Racer and Ryogoku rides a Kawasaki 500 SS Mach3 equipped with a rocket launcher sidecar.
The art in Wild 7 is probably one of the reasons that the book is a hard sell in today’s manga market of slick new anime styled characters. Mikiya Mochizuki’s style is firmly rooted the 60s and 70s manga aesthetic of fast paced, often rubber looking characters who bend and twist depending on how extreme the action is in each panel. Even vehicles are somewhat malleable in Mochizuki’s world, a trait often seen in other books by such legendary manga-ka as Tezuka and Monkey Punch. The panels in “Wild 7″ tend to be a bit busy, but there is almost always action on every page. Mochizuki’s action sequences are the driving force behind the manga, and there are some great pieces in the first volume alone! On their motorcycles or off, the Wild 7 team is a force to be reckoned with, and page after page delivers criminal busting, smash-em up action.
Text inspired from : Atomic Avenue & Japan Hero

